{"id":123922,"date":"2024-09-30T15:56:14","date_gmt":"2024-09-30T13:56:14","guid":{"rendered":"https:\/\/www.esteri.it\/sala_stampa\/archivionotizie\/\/2024\/09\/a-parigi-pasolini-attraverso-gli-scatti-di-notarangelo\/"},"modified":"2024-09-30T17:31:43","modified_gmt":"2024-09-30T15:31:43","slug":"a-parigi-pasolini-attraverso-gli-scatti-di-notarangelo","status":"publish","type":"post","link":"https:\/\/www.esteri.it\/en\/sala_stampa\/archivionotizie\/diplomazia-culturale\/2024\/09\/a-parigi-pasolini-attraverso-gli-scatti-di-notarangelo\/","title":{"rendered":"In Paris, Pasolini through the shots of Notarangelo"},"content":{"rendered":"<p class=\"x_MsoNormal\"><span lang=\"EN-GB\">On September 23, the\u00a0<b>Italian Cultural Institute in Paris<\/b>\u00a0inaugurated the exhibition \u201c<b><i>Domenico Notarangelo: Pasolini in Matera<\/i><\/b>\u201d, which can be visited until\u00a0<b>November 2,<\/b>\u00a0followed by the screening of the film \u201c<b>The Gospel According to Matthew<\/b>\u201d. Participation in the event confirms the French public\u2019s interest in\u00a0<b>Pier Paolo Pasolini<\/b>.<\/span><span lang=\"EN-GB\">\u00a0<\/span><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"EN-GB\">This exhibition makes visitors immerse themselves in Pasolini\u2019s world through\u00a0<b>thirty-five rare photographs<\/b>\u00a0by Domenico\u00a0<b>Notarangelo<\/b>, which document the filming of \u201c<b>The Gospel According to Matthew<\/b>\u201d in Matera in 1964. This film, a masterpiece of the 20th century, finds an intimate and poignant dimension in Notarangelo\u2019s photographs, which reveal the\u00a0<b>behind-the-scenes<\/b>\u00a0of the creative magic of a filming that has become legendary.<\/span><span lang=\"EN-GB\">\u00a0<\/span><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"EN-GB\">Notarangelo\u2019s photographs are more than just images: they are a\u00a0<b>living and detailed record of the inside of the filming process<\/b>. Thanks to ingenious expedients, Notarangelo managed to capture moments of rare intensity on the\u00a0<b>set<\/b>, making this reportage absolutely unique. Furthermore, Pasolini established a personal collaboration with the photographer, entrusting him with the task of\u00a0<b>recruiting about fifty people from Matera<\/b>\u00a0to play the scribes and Pharisees who were supposed to act in his film. This anecdote, which Notarangelo recounts with \u201cphotographic\u201d precision, reflects the director\u2019s meticulous choice of\u00a0<b>authentic<\/b>\u00a0faces, bearers of the history and land of Italy that Notarangelo\u2019s shots capture by sculpting them on film.<\/span><span lang=\"EN-GB\">\u00a0<\/span><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"EN-GB\">The exhibition is not limited to Notarangelo\u2019s photographs. Echoing this photographic testimony, it also highlights the works of three other contemporary artists: Silvio\u00a0<b>Cadelo<\/b>, Valentina\u00a0<b>Mir\u00a0<\/b>and Giuseppe\u00a0<b>Palumbo<\/b>, offering a contemporary perspective on Pasolini\u2019s visual and cultural legacy in Matera.<\/span><span lang=\"EN-GB\">\u00a0<\/span><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"EN-GB\">After the inauguration of the exhibition, the public attended the screening of \u201c<b>The Gospel According to Matthew<\/b>\u201d, a masterpiece by Pasolini that finds a particular resonance through Notarangelo\u2019s lens.<\/span><span lang=\"EN-GB\">\u00a0<\/span><\/p>\n<p class=\"x_MsoNormal\"><span lang=\"EN-GB\">The inauguration was attended by a guest of honor: Rossana\u00a0<b>Di Rocco<\/b>, the actress who at a young age played the angel in the film \u201c<b>The Gospel According to Matthew<\/b>\u201d. She \u00a0recounted her experience on the set with Pasolini in a Matera chosen by the director for its timeless charm. Giuseppe\u00a0<b>Notarangelo<\/b>,\u00a0<b>curator<\/b>\u00a0of the exhibition and son of the photographer, accompanied by Ines Silvia\u00a0<b>Nenna\u00a0<\/b>(<i>Associazione Pasolini<\/i>) and Roberto\u00a0<b>Chiesi<\/b>, film critic and Head of the\u00a0<b><i>Centro Studi &#8211; Archivio Pier Paolo Pasolini<\/i><\/b>\u00a0of the<\/span>\u00a0<b><i><span lang=\"EN-GB\">Fondazione<\/span><\/i><span lang=\"EN-GB\">\u00a0<i>Cin\u00e9math\u00e8que<\/i><\/span><\/b><span lang=\"EN-GB\">\u00a0<\/span>in Bologna, shed light on the importance of that visual\u00a0<i>corpus<\/i>\u00a0in the history of cinema and photography. Silvio\u00a0<b>Cadelo<\/b>\u00a0and Valentina\u00a0<b>Mir\u00a0<\/b>illustrated their works in the exhibition.<\/p>\n","protected":false},"excerpt":{"rendered":"On September 23, the\u00a0Italian Cultural Institute in Paris\u00a0inaugurated the exhibition \u201cDomenico Notarangelo: Pasolini in Matera\u201d, which can be visited until\u00a0November 2,\u00a0followed by the screening of the film \u201cThe Gospel According to Matthew\u201d. Participation in the event confirms the French public\u2019s interest in\u00a0Pier Paolo Pasolini.\u00a0 This exhibition makes visitors immerse themselves in Pasolini\u2019s world through\u00a0thirty-five rare [&hellip;]","protected":false},"author":3,"featured_media":123899,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[418],"tags":[32,9],"class_list":["post-123922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diplomazia-culturale","tag-diplomazia-culturale","tag-europa"],"_links":{"self":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/123922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/comments?post=123922"}],"version-history":[{"count":1,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/123922\/revisions"}],"predecessor-version":[{"id":123923,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/123922\/revisions\/123923"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/media\/123899"}],"wp:attachment":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/media?parent=123922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/categories?post=123922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/tags?post=123922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}