{"id":132214,"date":"2025-02-21T11:29:44","date_gmt":"2025-02-21T10:29:44","guid":{"rendered":"https:\/\/www.esteri.it\/sala_stampa\/archivionotizie\/\/2025\/02\/tokyo-scusate-se-esisto\/"},"modified":"2025-02-21T12:45:16","modified_gmt":"2025-02-21T11:45:16","slug":"tokyo-scusate-se-esisto","status":"publish","type":"post","link":"https:\/\/www.esteri.it\/en\/sala_stampa\/archivionotizie\/diplomazia-culturale\/2025\/02\/tokyo-scusate-se-esisto\/","title":{"rendered":"Tokyo, \u201cScusate se esisto!\u201d"},"content":{"rendered":"<p>The <strong>Italian Cultural Institute of Tokyo<\/strong> saw an excellent turnout for the screening of <strong><em>Do You See Me?<\/em><\/strong> (<em>Scusate se esisto!)<\/em>, directed by Riccardo <strong>Milani<\/strong> and starring Paola <strong>Cortellesi<\/strong> and Raoul <strong>Bova<\/strong>. The event, organised to mark the <strong>Japanese cinema release of <em>There&#8217;s Still Tomorrow<\/em><\/strong><em> (C\u2019\u00e8 ancora domani)<\/em>, Paola Cortellesi\u2019s directorial debut, was met with great public success.<\/p>\n<p>The audience followed the comedy with keen interest, thoroughly entertained and engaged from start to finish. The story of Serena Bruno, a brilliant architect navigating the challenges of the Italian job market, sparked both laughter and reflection, reaffirming the film\u2019s ability to blend comedy with social themes.<\/p>\n<p>The event is part of the Institute\u2019s ongoing efforts <strong>to<\/strong> <strong>promote Italian cinema in Japan<\/strong>, culminating in the <strong>Italian Film Festival<\/strong>, set to take place in the first week of <strong>May<\/strong>. Now in its <strong>25<sup>th<\/sup> edition<\/strong>, the festival remains a key celebration of Italian filmmaking.<\/p>\n","protected":false},"excerpt":{"rendered":"The Italian Cultural Institute of Tokyo saw an excellent turnout for the screening of Do You See Me? (Scusate se esisto!), directed by Riccardo Milani and starring Paola Cortellesi and Raoul Bova. The event, organised to mark the Japanese cinema release of There&#8217;s Still Tomorrow (C\u2019\u00e8 ancora domani), Paola Cortellesi\u2019s directorial debut, was met with [&hellip;]","protected":false},"author":3,"featured_media":132203,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[418],"tags":[45,32],"class_list":["post-132214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diplomazia-culturale","tag-asia-e-oceania","tag-diplomazia-culturale"],"_links":{"self":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/132214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/comments?post=132214"}],"version-history":[{"count":1,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/132214\/revisions"}],"predecessor-version":[{"id":132215,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/132214\/revisions\/132215"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/media\/132203"}],"wp:attachment":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/media?parent=132214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/categories?post=132214"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/tags?post=132214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}