The ‘Fare Cinema’ Festival hosted in Berlin\u2019s Arsenal Theatre is dedicated to the ‘commedia all’italiana’.\u00a0The Festival is organised by the Italian Cultural Institute and proposes a marathon screening of 20 films produced between 1958 and 1974. The films that will be shown with subtitles include: \u2018Big Deal on Madonna Street\u2019 (‘I Soliti Ignoti’) by Mario Monicelli,\u00a0\u2018The Traffic Policeman\u2019 (‘Il vigile’)\u00a0by Luigi Zampa,\u00a0\u2018The Police Commissioner\u2019 (‘Il Commissario’) by Luigi Comencini, \u2018I Knew Her Well\u2019 (‘Io la conoscevo bene’) by Antonio Pietrangeli and ‘Il sorpasso’ by Dino Risi. From 1950 to ’70, the \u2018commedia all’italiana\u2019 was synonymous to a virtuous and entertaining lifestyle satire. The most significant aspect of this comedy was that it represented the immediate response to the socio-cultural changes that took place following World War II. This style, which took the name of Neorealism, concealed a pungent social criticism behind a comic story. \u00a0<\/p>\n
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