{"id":52575,"date":"2016-10-04T15:15:28","date_gmt":"2016-10-04T13:15:28","guid":{"rendered":"https:\/\/www.esteri.it\/sala_stampa\/archivionotizie\/comunicati\/2016\/10\/germania-the-human-side-francesca-2\/"},"modified":"2016-10-04T15:15:28","modified_gmt":"2016-10-04T13:15:28","slug":"germania-the-human-side-francesca-2","status":"publish","type":"post","link":"https:\/\/www.esteri.it\/en\/sala_stampa\/archivionotizie\/approfondimenti\/2016\/10\/germania-the-human-side-francesca-2\/","title":{"rendered":"Germany &#8211; \u201cThe Human Side\u201d by Francesca Picchi explains the relationship between designer and industry"},"content":{"rendered":"<p>One of the keys of the success of Italy\u2019s post-war design was having designed an industrial product like a cultural product. This humanistic approach was expressed through a dialectic relationship between the emerging Italian industry and the post-war generation of designers: a generation of intellectuals committed to changing the state of affairs. \u201cThe Human Side\u201d, a lecture to be held at 7 p.m. on 11 October at the Italian Cultural Institute in Hamburg, will be dedicated to the relationship between designers and industry, taking by example the relationship between Ettore Sottsass and Olivetti, Gaetano Pesce and Cassina, Gio Ponti and Olivari.<\/p>\n<p>The lecture (in Italian with simultaneous translation into German) will be held by Francesca Picchi and moderated by Veronica Scortecci. Francesca Picchi, an architect and journalist, was in the editorial staff of the Domus international architecture magazine from 1996 to 2012.\u00a0She has curated several design exhibitions, including \u201cEnzo Mari. Il lavoro al centro\u201d for the Triennale di Milano in 1999.\u00a0She participated in the Architecture Exhibition of the Biennale di Venezia with a research project on Italian industry.<\/p>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"One of the keys of the success of Italy\u2019s post-war design was having designed an industrial product like a cultural product. This humanistic approach was expressed through a dialectic relationship between the emerging Italian industry and the post-war generation of designers: a generation of intellectuals committed to changing the state of affairs. \u201cThe Human Side\u201d, [&hellip;]","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[32,9],"class_list":["post-52575","post","type-post","status-publish","format-standard","hentry","category-approfondimenti","tag-diplomazia-culturale","tag-europa"],"_links":{"self":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/52575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/comments?post=52575"}],"version-history":[{"count":0,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/52575\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/media?parent=52575"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/categories?post=52575"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/tags?post=52575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}