{"id":59374,"date":"2020-05-21T11:27:09","date_gmt":"2020-05-21T09:27:09","guid":{"rendered":"https:\/\/www.esteri.it\/sala_stampa\/archivionotizie\/comunicati\/2020\/05\/iic-los-angeles-un-webinar-sugli-affreschi-di-raffaello-2\/"},"modified":"2020-05-21T11:27:09","modified_gmt":"2020-05-21T09:27:09","slug":"iic-los-angeles-un-webinar-sugli-affreschi-di-raffaello-2","status":"publish","type":"post","link":"https:\/\/www.esteri.it\/en\/sala_stampa\/archivionotizie\/retediplomatica\/2020\/05\/iic-los-angeles-un-webinar-sugli-affreschi-di-raffaello-2\/","title":{"rendered":"IIC Los Angeles: a webinar on Raphael’s frescoes"},"content":{"rendered":"

The series of webinars organized by the network of Italian Cultural Institutes of the United States and Canada on the occasion of the Raffaello 500 celebrations continues with a conversation on the technique and materials used by Raphael in his frescoes, in the light of the scientific investigations conducted during recent restorations.<\/p>\n

In particular, the webinar will focus on Raphael’s work in the Loggia of Cupid and Psyche at Villa Farnesina in Rome, on the wave of a digital project developed by Antonio Sgamellotti and Virginia Lapenta, in cooperation with the Visual Computing Lab ISTI-CNR. The digital results of the project have recently been made available online, providing a surprisingly close look at the frescoes created by Raphael and his laboratory on the domed ceiling in the Loggia.<\/p>\n

Participating in this Zoom webinar series #Raffaello500 Marco Leona, Metropolitan Museum of Art, Antonio Sgamellotti, Accademia dei Lincei, and Virginia Lapenta, Chief Curator of Villa Farnesina.<\/p>\n

To register please click here<\/a><\/p>\n

Information<\/strong><\/p>\n

Date: Mer 27th <\/sup>May 2020<\/p>\n

Time: From 12.00 am (Pacific Standard Time)<\/p>\n

Organised by: IIC\u00a0<\/p>\n

Entry: Free<\/p>\n

\u00a0<\/p>\n

\"loggiacp\"<\/p>\n","protected":false},"excerpt":{"rendered":"The series of webinars organized by the network of Italian Cultural Institutes of the United States and Canada on the occasion of the Raffaello 500 celebrations continues with a conversation on the technique and materials used by Raphael in his frescoes, in the light of the scientific investigations conducted during recent restorations. In particular, the […]","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[32],"class_list":["post-59374","post","type-post","status-publish","format-standard","hentry","category-retediplomatica","tag-diplomazia-culturale"],"_links":{"self":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/59374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/comments?post=59374"}],"version-history":[{"count":0,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/59374\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/media?parent=59374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/categories?post=59374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/tags?post=59374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}