{"id":88354,"date":"2022-10-19T15:35:28","date_gmt":"2022-10-19T13:35:28","guid":{"rendered":"https:\/\/www.esteri.it\/sala_stampa\/archivionotizie\/\/2022\/10\/a-madrid-la-mostra-laltro-rinascimento\/"},"modified":"2022-10-19T17:02:27","modified_gmt":"2022-10-19T15:02:27","slug":"a-madrid-la-mostra-laltro-rinascimento","status":"publish","type":"post","link":"https:\/\/www.esteri.it\/en\/sala_stampa\/archivionotizie\/retediplomatica\/2022\/10\/a-madrid-la-mostra-laltro-rinascimento\/","title":{"rendered":"Madrid \u2013 \u201cThe other Renaissance\u201d exhibition"},"content":{"rendered":"<p>The\u00a0<strong>Ambassador of Italy to Madrid, Riccardo Guariglia<\/strong>, attended the opening of the exhibition entitled \u201c<strong>The other Renaissance.\u00a0Spanish artists in Naples in the early Cinquecento<\/strong>\u201d staged at\u00a0<strong>Madrid\u2019s Museo Nacional del Prado<\/strong>.\u00a0The exhibition was organised in collaboration with the\u00a0<strong>Museo e Real Bosco di Capodimonte<\/strong>. Its aim is to illustrate the special way in which some the most important Spanish artists of the 16th century, who had moved to Naples, embraced the\u00a0<strong>artistic revolution of the Italian renaissance<\/strong>\u00a0as represented by Leonardo, Raphael and Michelangelo.<\/p>\n<p>\u201cIt is with great pride that we are opening this exhibition\u201d, remarked the Italian Ambassador. \u201cIt bears further testimony to the fruitful relationship between Naples and Spain. Naples is, without a doubt, the Italian city with the closest ties to Spain, and this exhibition has the merit of analysing one of the most interesting pages in the history of art\u201d. As Guariglia observed, \u201cNaples was particularly fertile terrain in which to devise models that helped establish, in the early 16th century, a particularly\u00a0<strong>Iberian version of the Renaissance<\/strong>, with clearly identifiable stylistic features yet still linked to the great Italian masters.<\/p>\n<p>This exhibition, a brilliant example of cultural diplomacy, most certainly casts light on the\u00a0<strong>historic and artistic bonds between Italy and Spain<\/strong>, which have recently seen a renaissance of their own\u201d.<\/p>\n<p>The exhibition was curated by\u00a0<strong>Andrea Zezza<\/strong>\u00a0(Department of Arts and Cultural Assets, Universit\u00e0 degli Studi della Campania) and\u00a0<strong>Riccardo Naldi<\/strong>\u00a0(Faculty of Arts and Philosophy, Universit\u00e0 \u201cL\u2019Orientale\u201d). It focuses on a brief but flourishing period of the Spanish renaissance, from 1504 to 1535, when Italian influence came to the fore in the paintings of Bartolom\u00e9 Ord\u00f3\u00f1ez, Diego de Siloe, Pedro Machuca or Alonso Berruguete, who had moved to Naples to learn from the great Italian masters of the Rinascimento.<\/p>\n","protected":false},"excerpt":{"rendered":"The\u00a0Ambassador of Italy to Madrid, Riccardo Guariglia, attended the opening of the exhibition entitled \u201cThe other Renaissance.\u00a0Spanish artists in Naples in the early Cinquecento\u201d staged at\u00a0Madrid\u2019s Museo Nacional del Prado.\u00a0The exhibition was organised in collaboration with the\u00a0Museo e Real Bosco di Capodimonte. Its aim is to illustrate the special way in which some the most [&hellip;]","protected":false},"author":6,"featured_media":88329,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[32,9],"class_list":["post-88354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-retediplomatica","tag-diplomazia-culturale","tag-europa"],"_links":{"self":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/88354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/comments?post=88354"}],"version-history":[{"count":1,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/88354\/revisions"}],"predecessor-version":[{"id":88355,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/posts\/88354\/revisions\/88355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/media\/88329"}],"wp:attachment":[{"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/media?parent=88354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/categories?post=88354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esteri.it\/en\/wp-json\/wp\/v2\/tags?post=88354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}